Another French publication gets in on the 'books of the year'-game, with Le Point announcing Notre palmarès des 25 livres de l'année 2015
It's largely made up of the predictable usual suspects: Sansal's 2084 (which will surely be on absolutely every one of these lists), the Houellebecq, prize-winners by Binet, Énard, and de Vigan, etc.
Okay, there's that Boris Johnson, too -- didn't see that coming .....
The Guardian, too, gets quite a selection of authors to: "reveal which of the past yearís books they have most enjoyed" -- indeed, so many authors that this is actually only: Best books of 2015 - part one, so there's more to come [updated (30 November): and fortunately that didn't take long: here is part two].
Always interesting to see what is recommended and liked.
(The Times Literary Supplement's is probably the one of these I most look forward to annually -- alas, they only reveal a small sample of this year's selections online.)
The most recent addition to the complete review is my review of a collection of Jordanian author Hisham Bustani's short fiction, The Perception of Meaning, just out in a bilingual edition, from Syracuse University Press.
The New York Times has announced its 100 Notable Books of 2015
After a mere three titles in translation in 2013 and eight last year they impressively managed to include what appears to be fourteen this time around.
Last year I had reviewed five of the titles by the time the list was published, this year it's ... six:
They've announced that Oneiron, by Laura Lindstedt, has won the Finlandia Prize, the biggest Finnish literary prize; see, for example, the Yle report, Author Lindstedt slams government after Finlandia win.
The winning title sounds intriguing both in premise -- "Seven women, each from a different country and unfamiliar to one another, come together in a white, undefined space just seconds after their respective deaths" -- and execution; for more information on the author and the book see the Elina Ahlback Literary Agency information page, and the (Finnish) Teos publicity page.
Definitely something for US/UK publishers to consider, from the sounds of it; apparently so far only Hungarian rights have been sold.
They've announced the six-title strong shortlist for the DSC Prize for South Asian Literature (in London, of course, because ...).
It includes one novel in translation, K.R.Meera's Hangwoman, translated from the Malayalam by J.Devika; see the Penguin India publicity page.
French magazine Lire annually selects a top book in twenty different categories -- with one crowned as overall "meilleur livre de l'année".
They announced this year's list -- and 2084, by Boualem Sansal, is the not-so-surprising book of the year.
Other category winners include a two-volume Virginie Despentes as French novel of the year, a Jón Kalman Stefánsson as best foreign fiction (beating out titles by Javier Cercas and Chimamanda Ngozi Adichie), and Ryan Gattis' All Involved as best roman noir.
They also list the finalists in all the catgories, and among the oddities surfacing there: an Elmore Leonard-biography, apparently translated from (though apparently not yet published in) English, by Laurent Chalumeau -- see the Rivages publicity page -- the author of such works as Anne Frank 2, le retour !, and Fuck (see the Grasset publicity page).
I wonder whether this will make it (back ?) into English.
The big news in Italian publishing this year has been the sale of RCS Libri to Mondadori (see, for ecample, the Mondadori press release), with venerable literary imprints including Bompiani and Rizzoli suddenly swallowed into a 'Mondazzoli' juggernaut (apparently controlling half of the local book market, and seventy percent of the paperback market) -- run by a Berlusconi, no less.
It doesn't come as much of a surprise that many literary types are apparently jumping ship -- led by Bompiani editor in chief Elisabetta Sgarbi, who has now announced the founding of a new publishing house, to be called 'La nave di Teseo'; see, for example, the (Italian) report at Il libraio.
I'm not so sure about that name -- suggested by no one less than Umberto Eco, who is fully on board with the new venture -- given that it's the (Rizzoli-published) Italian title of a ... J.J.Abrams book (see the publicity page)
No real English-language coverage that I've seen so far, but there should be some shortly -- this is a big (and nicely messy) story.
The most recent addition to the complete review is my review of Anna Gavalda's Life, Only Better, just out in English from Europa Editions.
I'm always curious about bestselling fiction abroad, and Gavalda is one of the few really popular-in-France domestic authors that is also regularly translated (others like Guillaume Musso or Marc Levy have a much harder time getting translated).
This is the fourth of her books under review at the complete review, and that isn't even all of them (I drew the line at Billie).
I do grudgingly have to admit that she's onto something -- indeed, I think these would be good books to dissect in creative-writing classes.
I just wish she'd be a bit more (or is it less ?) ambitious with her subject-matter.
(It's also why that other very popular French author, Amélie Nothomb, is so much better: Nothomb's aim isn't first and foremost heartstrings-tugging and crowd-pleasing (as Gavalda's so obviously is); Gavalda is a manipulative writer, playing to the crowd, while Nothomb is largely (and wonderfully hopelessly) only caught up/entangled in herself.)
The Jan Michalski Prize for Literature is an impressive (if shockingly poorly publicized) prize, without language or (prose) genre restrictions, and they've announced the winner of this year's prize -- Birth Certificate, Mark Thompson's Danilo Kiš biography.
(My preference is, of course, always for fiction, but they do always select interesting titles, regardless.)
See also the Cornell University Press publicity page, or get your copy at Amazon.com or Amazon.co.uk.
The December issue of Words Without Borders will apparently be devoted to literature from Madagascar, and at Broadly Ilana Masad profiles translator Allison Charette, in Meet Madagascar's 27-Year-Old Literary Ambassador.
Madagascar is one of those countries from which almost nothing is available in English -- even though some Malagasy writers write in French (i.e. aren't that inaccessible).
Charette got a PEN grant to translate Naivo's Au-delà des rizières (see the Sepia publicity page), so hopefully we'll at least see that in English soon.
I mentioned the announcement of the Dhaka Translation Center's 'Library of Bangladesh'-series earlier this year, and apparently the first two volumes are now out, published by bengal lights: see their publicity pages for two novellas by Syed Shamsul Haq and a collection of stories by Hasan Azizul Huq -- and let's hope there's some foreign distribution for these, too.
Apparently ten more volumes are already planned.
The most recent addition to the complete review is my review of Enrique Vila-Matas' Sophie Calle-novel(la), Because She Never Asked.
This is actually just one story from a bigger Spanish collection (Exploradores del abismo), published as a stand-alone in New Directions' lovely pocket-sized Pearl-series.
It's a great introduction to Vila-Matas' work -- perhaps the ideal starter-volume.
The peculiar business that is book publishing is, of course, peculiar worldwide -- hence it's not just in the US/UK/etc. that one can find a headline such as The reading conundrum: Is the books business booming or dying ? -- as Saudamini Jain explores the Indian situation, in the Hindustan Times.
Mixed signals indeed:
In the late 1970s, the average book sold around 2,000 copies, writes veteran publisher Ashok Chopra in his memoir A Scrapbook of Memories.
This, he says, is roughly true even of today, four decades later.
Most successful books sell not more than 3,000 copies in India.
This is a low number for anywhere in the world -- especially considering the size of the Indian middle-class
I'm not sure their sense of the Indian situation versus that abroad is correct:
The big failure of Indian publishing, [Thomas Abraham, managing director at Hachette India] says is that "We, as an industry, have failed to do anything collectively to build the reading habit.
We have done nothing to propagate serious reading.
In the West, they have a designated Reading Day when the government and publishers come together.
In Chicago, for instance, everyone on that one day will read Anna Karenina or whatever.
You need to create something on TV, like Oprah Winfrey does with her Book Club. We have nothing."
Much as I like to imagine all of Chicago walking around with their heads buried in Anna Karenina ("or whatever" ...), well .....
They've announced the winners of this year's Augustpriset, the leading Swedish literary prize, with Montecore-author Jonas Hassen Khemiri taking the fiction prize, with Allt jag inte minns.
Rights have already been sold to this, with it scheduled for publication from Atria in the US and Scribner in the UK; see also the Ahlander Agency information page.
Malcolm Turnbull is the fourth Australian prime minister in office since June 2013, but after a bit of turmoil in recent years things seem to have settled down around the Australian Prime Minister's Literary Awards, and they've now announced the shortlists for this year's prizes.
Quite a few familiar names among the finalists (including Peter Carey, Elizabeth Harrower, David Malouf) but none of these titles are under review at the complete review.
The most recent addition to the complete review is my review of Vladimir Sorokin's unusual (but seasonal ?) Russian satire/homage/zombie tale, The Blizzard, coming out next week from Farrar, Straus and Giroux.
Anjum Hasan's fascinating look at 'Reading Hindi literature in translation' -- English translation -- in The Caravan, Novel Renditions, is now fully accessible online.
An interesting overview -- and many interesting observations, including that:
It is striking how so many of the novels recently translated into English capture life at a modern, usually mid- to late-twentieth-century, juncture.
The dodgy, if not outright corrupted, nature of this modernity is what gives these novels their charge.
Surprising, too, that apparently The Gift of a Cow-author Premchand -- "the king himself", Hasan writes -- has only had some 70 of his 300 stories translated.
More depressing than just how little Hindi literature has been translated is how little of even just that has made it, readily accessibly, to US/UK shores.
For every Uday Prakash (The Girl with the Golden Parasol, The Walls of Delhi) there seems so much more that is at least available in English but not readily available locally.
But this does get me to put my copy of Gillian Wright's translation of Raag Darbari closer to the top of my get-to pile.
The most recent addition to the complete review is my review of Eduardo Mendoza's An Englishman in Madrid.
This book won the Premio Planeta in 2010 -- a prize that with its €601,000 cash award blows pretty much every other literary prize (especially the American ones) out of the water.
Nick Caistor's translation was published in the UK in 2013, but for some reason it only made it to the US this summer -- and doesn't seem to have gotten much attention here.
The Jalal Al-e Ahmad Literary Awards are one Iran's leading literary prizes -- and, with each award paying out "110 Bahar Azadi gold coins" (reportedly: "worth over $33,000"), remunerative -- and they've announced this year's winners -- see the report in the Tehran Times -- and the not-winners, as:
No works in the categories of short story, literary criticism, or documentation were deemed worthy of Iran's most lucrative literary award during this year's edition of the Jalal Al-e Ahmad Literary Awards
Meanwhile, the novel prize was shared, Fall Is the Last Season by Nasim Marashi and The Well-Behaved Girl by Shahriar Abbasi splitting the prize.
In the categories without winners there were still some honorable mentions -- by works with some intriguing titles: Overview of Practical Anecdotes in the literary criticism section (and who doesn't like their anecdotes to be practical ?); Are Guys from Khazaneh Saved ? in the short story category; and Water Never Dies and You Will Die in Cairo in the 'documentation section'.
The prize was, of course, named after leading Iranian author Jalal Al-e Ahmad -- nowadays perhaps better known in the US/UK as Simin Daneshvar's husband ?
Four of his titles are under review at the complete review, including The Israeli Republic, which was recently brought out by Restless Books.
The past two weeks The Spectator has been having contributors name their best and most overrated books of the year (see my previous mention), and now the New Statesman also gets a nice cast of "friends and contributors" to weigh in on their favorites of the year, in Books of the year: the essential NS reading list.
Always interesting to see what people come up with -- and these also include some older titles
Greek mystery writer Petros Markaris recently picked up the Premis LiberPress in the literature category, and at Catalonia Today they have a Q & A with him.
Among the interesting quotes:
The crime novel is the only social novel left in European literature.
(And I am surprised that he hasn't gotten more US/UK coverage, as his novels have been among the most insightful about Greek conditions for quite a few years now.)
Also amusing to hear that, while he does read a lot of crime fiction he admits:
The most recent addition to the complete review is my review of Gabrielle Wittkop's Murder Most Serene, one of two Wittkops just out from Wakefield Press in beautiful editions (I'll get to the other one, Exemplary Departures, too; meanwhile, see their publicity page).
Note that this isn't a murder mystery, at least not anywhere near the traditional sort; this is a book by the author of The Necrophiliac, and with its Sadeian epigraph, is very much in a similar vein .....
The Prix des libraires du Québec is a French-language literary prize (well prizes, in several categories), and it's always interesting to see what they look at on the other side of the Atlantic (québécois writing, for one thing, which doesn't attract too much attention in France proper ...).
They've now announced their longlists (well, 'listes préliminaires').
The Catégorie Roman québécois introduces many works ... well, which we haven't heard much about.
Meanwhile, the Catégorie Roman hors Québec covers everything from a recent Man Booker winner (Eleanor Catton's The Luminaries) to a work by a Nobel laureate (a Toni Morrison) to an Elena Ferrante and Michel Houellebecq's Submission and, oh dear, Andri Snær Magnason's LoveStar.
They've announced the (American) National Book Awards, with Fortune Smiles (by Adam Johnson) winning the fiction prize, and Between the World and Me (by Ta-Nehisi Coates) taking the non category.
Having read -- indeed, seen -- none of the twenty finalists in the four categories, I'm not well-positioned to comment.
The Hans Christian Andersen Litteraturpris -- not (sigh) to be confused with the Hans Christian Andersen Award -- has announced its 2016 award-winner (though not yet at the official site, last I checked ...), and it's ... Murakami Haruki; see The Japan Times report, Murakami joins ranks of Rowling, Rushdie in winning Danish literary prize.
This relatively new prize -- Murakami is only the fifth winner of what is now a biennial prize -- is the most unabashedly populistic of the better-known international author prizes, with a line-up of previous winners made up of: Paulo Coelho (2007), J.K.Rowling (2010), Isabel Allende (2012), and Salman Rushdie (2014).
I suspect this honor doesn't do much -- indeed, is more likely to severely undermine -- whatever Nobel chances and hopes Murakami had: the nearby Swedish Academy is bound to take note, and it's hard to believe they would give the prize to anyone in such award-winner company (Rushdie was a contender through about 1994, and still deserves some feigned consideration for his admirable free-speech support, but the quality of his fiction over the past two decades surely has put him far out of any serious Nobel-running; as to Coelho, Allende, and Rowling ... well, their writing ... says it all, doesn't it ?).
This is the prize with five categories -- novel, first novel, biography, poetry, and children's -- where they select a winner in each category (announced 4 January), with those five then pitted against one another for the title of Whitbread Costa Book of the Year (announced 26 January).
The most recent addition to the complete review is my review of Zoran Živković's bibliophile sextet, The Library.
Bonus: the slim and sleek Kurodahan Press edition is appealingly pocket-sized -- making this in every respect the ideal little gift for any book-lover.
The New York Times reports that Nobel Winner Svetlana Alexievich Books to Be Published by Random House, as three old and newer works by the Voices from Chernobyl-author will be published "in the coming years".
Aside from the recent Second-Hand Time -- which Fitzcarraldo nabbed UK rights for -- they're also publishing what I assume will be a new translation of her mega-selling (in the Soviet Union) War's Unwomanly Face; this has 'long' been available in English -- but only in a (Soviet) Progress Publishers edition; yeah, not many of those in circulation (get your copy, supposedly from Amazon.com for US$3,500.00 or from Amazon.co.uk for a ... bargain £999.11 (last I checked ...)).
The French prix du Meilleur livre étranger is their one prize solely for foreign literature, awarding a prize for a work of fiction, and a work of non -- and they've announced that: Martin Amis et Christoph Ransmayr, lauréats du Prix du Meilleur livre étranger 2015.
Yes, Amis' The Zone of Interest beat out ... well, Marilynne Robinson's Lila and a recent Javier Cercas, among others.
More interesting is Christoph Ransmayr's Atlas of an Anxious Man, which I've mentioned before as possibly being the book to put him back on the US/UK map -- it's due out from Seagull in English next month, and I for one am very much looking forward to it; see the Seagull publicity page (at the University of Chicago Press; I can't find one on site yet), or pre-order your copy at Amazon.com or Amazon.co.uk.
The most recent addition to the complete review is my review of Ellen Wiles' look at Literary Life in Myanmar Under Censorship and in Transition, in Saffron Shadows and Salvaged Scripts, just out from Columbia University Press, and a welcome look at the local literary scene.
Amusingly, on the very day I post the review Kanin Srimaneekulroj profiles one of the authors profiled by Wiles, in the Bangkok Post, writing about Myay Hmone Lwin and his NDSP publishing house in A step towards literary freedom.
To fit all the books in the allotted space, the library will have to abandon its version of the Dewey Decimal System, in which shelving is organized by subject, in favor of a new "high-density" protocol in which all that matters is size.
Books will be stacked by height and tracked by bar code rather than by a subject-based system, making for some odd bookfellows.
Apparently this system is all the rage, and I suppose in an automated world it makes sense.
The most recent addition to the complete review is my review of Martin Millar's The Goddess of Buttercups and Daisies -- featuring, in it ancient Athenian setting, Aristophanes and Socrates (and Plato, as a young tyke).
(A) major programme to share the wealth of Indian printed books held by the British Library dating from 1714 to 1914.
The collection, which spans at least 22 South Asian languages and millions of pages, is the most significant held anywhere outside the Subcontinent.
Many of the books are unique and many are also in delicate condition due to their age, so the mass digitisation of these items will not only make them widely available to people around the world, but will also help preserve the fragile originals for future generations.
They've announced the 2015 shortlist for the Guardian first book award, and that feature -- in which the authors introduce their work, along with brief extracts of each, is a pretty good overview/introduction.
None of these titles are under review at the complete review.