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the complete review - fiction

In her Absence

by
Antonio Muñoz Molina

general information | review summaries | our review | links | about the author

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Our Assessment:

A- : nice little story, very fine writing

See our review for fuller assessment.

  Review Consensus:

  Fairly impressed.

  From the Reviews:

• "The setup in Antonio Muñoz Molina's In Her Absence is delicious -- half borscht-belt joke, half Beckett. Molina doesn't mine all of the satirical and surreal potential from his premise." - Daniel Nemet-Nejat, Entertainment Weekly
  
  
• "Mr. Muñoz Molina's writing is calculated and decisive, like a confident game of chess. It never thrills but it does have the capacity to illuminate and, to a degree, surprise. More importantly, it feels right for this material; the narrative of a marriage's gradual deterioration is well served by the observant eye and deliberate pen Mr. Muñoz Molina applies to it. (…) Mr. Muñoz Molina has constructed this short, precise novel as delicately as possible and the impression that lingers is one of chilly, cutting intelligence." - Nick Antosca, The New York Sun
  
  
• "Muñoz Molina layers a subtle satire of artistic hypocrisy with a stirring account of class separation." - The New Yorker
  
  
• "Mario is a masterpiece. Molina has created a character with no intellectual pretensions, asking for little except a safe job and a predictable routine. (…) Molina seems intent on making his central character aggressively dull. (…) There is a hypnotic quality to the spare, always forward-moving rhythm of Molina's prose. Mario's limited yet intensely focused world does not let the reader take a breath for even a paragraph. Perhaps that is why the novel is so short. Neither the writer nor the reader could sustain such a pitch of living inside the head of an increasingly disturbed human being. (…) Molina offers the reader a field trip into the soul of this ordinary man living his ordinary life. The result is nothing less than extraordinary." - Brigitte Weeks, The Washington Post

Please note that these ratings solely represent the complete review's biased interpretation and subjective opinion of the actual reviews and do not claim to accurately reflect or represent the views of the reviewers. Similarly the illustrative quotes chosen here are merely those the complete review subjectively believes represent the tenor and judgment of the review as a whole. We acknowledge (and remind and warn you) that they may, in fact, be entirely unrepresentative of the actual reviews by any other measure.

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The complete review's Review:

       In her Absence is the story of a very mismatched pair, Mario and Blanca López. The focus is on Mario, but it is Blanca that is the mystery -- so especially as the novel opens, when Mario is convinced the woman he has returned home to can not possibly be his wife, despite looking and being dressed exactly like Blanca, and going through almost exactly the same motions .....
       The story circles back from this uneasy feeling Mario has, describing first how very different the real Blanca and Mario are, and then how they came to be together in the first place before returning to this present.
       The couple live in the city of Jaén. For Mario, who grew up in the countryside and isn't very worldly, it's the big city; for Blanca it's a provincial backwater. Mario is a civil servant, a draftsman at the Jaén Provincial Council who settled for this safety rather than even taking the small additional step of going for a degree in architecture. He doesn't enjoy going out drinking with his fellow office-workers, and his pleasures are simple ones.
       Blanca is flighty and unable to hold down a job. She comes from a well-to-do family, and never really had to worry about money or the future. As is eventually revealed, she was even wilder in the good old days, but even now she's constantly wanting to see the latest art, to travel to the latest exhibition, to talk about intellectual things. Mario tries to be supportive -- well, he's putty in her hands --, even though he barely understands the intellectual blather Blanca loves to engage in and sees nothing in most of the art she drags him off to:

His response to art was often physical, sometimes almost to the point of an allergic reaction: Frida Kahlo, for example, made the roof of his mouth feel as if it were coated with grease, and Antoni Tápies (fortunately not an object of Blanca's devotion) inspired a mixture of weary sorrow and heartburn. He forced himself to feign interest nevertheless, and reproached himself bitterly for his lack of sensibility, the random paucity of his reading, the private lethargy and pent-up resistance he often harbored when accompanying her to a concert, a movie, the premiere of a new play, or an art opening where everyone knew everyone else and greeted Blanca effusively and the paintings looked like doodles or tiny insects and all the young people of both genders were uniformly dressed in black and afflicted with a ghostly pallor.

If only he'd paid a bit more attention, if only his obsessive vigilance hadn't betrayed him by keeping him from observing this new danger, the new name that was beginning to crop up in her conversation.

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Links:

• Other Press publicity page
• Alfaguara publicity page
• Rowohlt publicity page

• Club des rats de biblio-net (French)
• CritiquesLibres.com (French)
• Entertainment Weekly
• The New York Sun
• The New Yorker
• The Washington Post

• See Index of Spanish literature

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About the Author:

       Spanish author Antonio Muñoz Molina was born in 1956.

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© 2008 the complete review

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