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Our Assessment:
A- : well-written, appealing approach to an interesting figure See our review for fuller assessment.
Review Consensus: - Return to top of the page - The complete review's Review:
Der Weltensammler ('The Collector of Worlds') is -- as author Trojanow puts it -- inspired by the life of Sir Richard Francis Burton (1821-1890), the extraordinary and notorious traveller (and translator).
The central character is 'Richard Burton' but, though much of the book is based on facts from Burton's life (and incorporates some of his own writing), it is also very freely imagined.
Es gab nur eine Möglichkeit, sein Leben nicht zu verplempern: Sprachen lernen. Sprachen waren Waffen.They were weapons -- and also a door, allowing him to pass into these other cultures. He hires a teacher and begins to learn the local languages; eventually, of course, he begins to pass himself off as a foreigner -- not one of the detested English, but from a place that allows him to be treated almost like a countryman. Kashmir, for example. He begins trying to pass as not being British -- and is even so successful that he gets himself arrested by the British. In India he is still learning to pass for someone he is not, but he learns quickly -- and realises also that this is an ideal way of gathering information that the locals would not share with their British masters. The other half of the India-section is narrated by his servant, Naukaram, who (being illiterate) goes to a letter-writer and winds up setting down the story of his years in Burton's service, a work that gets completely out of hand (the scribe winds up paying him to finish his story ...). Naukaram's account doesn't run entirely parallel to that of Burton's stay, and is as much about his life and experiences in those times, with Burton as the dominant (and often mystifying, because so atypical) figure in it. Trojanow very effectively presents what is not so much a clash of cultures but the mutual attempts to feel the other cultures out. (Not surprisingly, for example, master and servant share the woman Naukaram procures for Burton.) Burton's teacher, the wise scholar Upanitsche, is also an appealing figure, the perfect foil for the incredibly eager and ambitious Burton. (He also introduces him -- ever so gingerly -- to the Kama Sutra.) If in India Burton is still an outsider looking in, just occasionally playing little more than dress-up, in the second section he entirely assumes the role of the Other. The section focusses on his pilgrimage to Mecca, disguised as Mirza Abdullah. He does not immediately plunge in, but rather acclimates to this society, living in Egypt, being helpful as a medicine-man, winning over trust and becoming more convincing in his role before setting out on the haj. Here the alternate perspective is that of the angry local officials after the fact, trying to determine how Burton fooled so many and accomplished his feat -- and how much of a spy he was, as (among other things) they interview many of the people he travelled with and encountered It's a very different society and experience from that in India -- and Burton does utilise his unique access to collect intelligence (and warns of the coming rise of the Wahhabi in the holy area -- cavalierly dismissed by those (still) in power there ...). The final section focusses on Bwana Burton's East Africa expedition with Speke, the race to discover the source of the Nile This section is more straightforward, though Speke makes for a useful contrasting British figure and explorer to Burton. Trojanow's novel excels in the local colour, the sense of the time and place and especially the tension in the air that's always present when there is a stranger in the midsts. Burton's efforts to understand and belong often are very successful, and yet he is also always simply an observer, and his fundamental foreignness can never be entirely overcome. Even those sections of the alternate perspectives where people speak of being completely convinced by his disguise are subverted by the authority-figures who point out the fraud. The extensive use of alternate local voices is also very successful in painting this picture of a time when forces from without were in a sense threatening (to varying degrees) what had remain long unchanged. The places Burton went, especially in Arabia and East Africa, were areas that had previously essentially never been visited by 'white' men. Surprisingly, it is the figure of Burton that is perhaps the least successful part of the novel. It is an impressive portrait, and perhaps for a German audience not as familiar with Burton as British or American audiences may be more than enough, but because it only focusses on parts of his life it feels like a good deal is missing. And Trojanow presents Burton as a mystery-man, as someone who remains unknowable to all those around him (the theme of people being baffled by his actions is a constant). Trojanow never really seems to try to get inside the man, and it's not clear that there's entirely enough of him here otherwise to go that route. The reader is constantly told how others see and perceive him, but Burton remains a cipher, an man trying on yet another disguise. Still, Der Weltensammler is an impressive book and an enjoyable read -- not a quick adventure book, but a carefully layered story immersing readers in these specific historic locales, built up around this fascinating man and many gripping episodes. - Return to top of the page - The Collector of Worlds:
- Return to top of the page - Ilija Trojanow (Ilya Troyanov) was born in Bulgaria in 1965 but grew up and was educated in Kenya and Germany. He currently lives in South Africa, but writes in German. - Return to top of the page -
© 2006-2008 the complete review
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