opinionated commentary on literary matters - from the complete review

The Literary Saloon Archive

11 - 20 March 2011

11 March: Independent Foreign Fiction Prize longlist | National Book Critics Circle Awards winners | Milan Kundera found Pléiade-worthy
12 March: Arabian Nights illustrations | French intellectuals in the US | Guo Moruo
13 March: Alasdair Gray's Lanark | Teaching Interlok | Independent bookselling in ... Australia | The Explosion of the Radiator Hose review
14 March: Norwegian Wood, the movie | IPAF countdown | Bookselling in ... the UK
15 March: IPAF winners | Mahmoud Darwish Award to Goytisolo | Publishing in ... Canada | Judge Richard Posner, Clueless fan | Digital Cultures review
16 March: Orange Prize for Fiction longlist | Immigration literature | Boekenweek
17 March: Prizes: Premio Iberoamericano Planeta-Casa de América de Narrativa - (French/American) Annual Translation Prize finalists - Miles Franklin longlist | Per Olov Enquist profile | Montecore review
18 March: Prizes: Man 'Asian' Literary Prize - Prize of the Leipzig Book Fair - David Cohen Prize for Literature - The end of the Russian Booker ? | Creative writing in ... Hong Kong | Der alte König in seinem Exil review
19 March: Translation from ... Taiwan | Khaled al Khamissi profile | Mischief + Mayhem profile | Manuel Rivas Q & A | What they're reading in Germany ? | Remote Control review
20 March: Aflame extinguished | Writing in ... Ethiopia | Where are the female reviewers ? | Bookselling in ... Bangalore

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       Aflame extinguished

       It's terribly disappointing to hear that publisher Aflame have announced that:

Aflame Books has ceased trading and will no longer publish books. We thank all our past contributors and wish them well.

       Their ambitious list of translations had made them one of the most interesting publishers since they started up in 2005; quite a few of their titles are under review at the complete review.
       Despite fiction in translation getting some more attention in recent years, it's apparently still hard to make a go of it relying solely on that.

(Posted by: M.A.Orthofer)    - permanent link -

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       Writing in ... Ethiopia

       In The Ethiopian Reporter Tibebeselassie Tigabu writes about The trials and tribulations of Ethiopian writers.
       A lot of the usual complaints -- which even lead to misguided nostalgia for life under regimes past (particularly nasty in that country), as, for example, Mamo Wudineh says:

Back in the days, there was a fashion of carrying books and everyone used to go around to the Piazza's 'Gianna poulos', a famous book shop. The trend changed when it comes to this generation; the books were replaced by film, the internet, and the culture of reading stopped

       And the case of Sahleselassie Berhanemariam (or Sahle Selassie Berhane Mariam, as you presumably know him) apparently shows how it is now: "a time where it is more than impossible to publish a book", as:

Publishing 14 books, with eight original and six translations, including his English books the Afersata, Warrior King, Firebrands and his famous translation of Victor Hugo's work Les Misérables into Amharic as Minduban, he now has two books which are completely finished and two more in the process which are waiting to be published.

       That's great to hear (well, that there are more works waiting to be published) -- Sahle Selassie is among the few Ethiopian authors whose work is available (sort of ...) in English, the three mentioned titles, published in the African Writers Series back in the day, among the few (along with Daniachew Worku's AWS-title, The Thirteenth Sun) I have read.
       (Get your copy of The Afersata (Amazon.com, Amazon.co.uk) or Firebrands (Amazon.com, Amazon.co.uk).)

(Posted by: M.A.Orthofer)    - permanent link -

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       Where are the female reviewers ?

       Continuing the sexism-in-reviewing discussion that's been on-going for a few weeks now, literary editor Katy Guest asks Where are all the female reviewers ? in the Independent on Sunday.
       She notes:

Looking at the past week's books coverage in 10 major newspapers (excluding this one -- for now), we can see that 71 books by men and 37 books by women were reviewed. Of the reviewers, 68 were men and 36 women. (One paper carried 17/20 reviews of male authors, and 18/20 male reviewers.)

       And she admits:

Well, looking at my contacts book of handy reviewers, I see half a dozen men who send me neat, chronological lists of forthcoming books for review, complete with publisher, publication date and brief notes about why they'd like to review them. There are no women who do the same.

       At The Second Pass former (2003-2010) Harper's book review editor Jennifer Szalai recently reported a similar phenomenon:

A vast majority of the pitches I received were from men. In fact, during seven years in that position, I could probably count on two hands the number of women who pitched me -- I’d guess that the ratio was something like nine or 10 to one. I also noticed that if I turned down a pitch from a man, he would likely send me another pitch the following week. Whereas women rarely pitched me again after getting a rejection.

       So one hopes that at least this discussion pushes more women to at least pitch reviews. (Come to think of it, that's something I should do too .....)

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       Bookselling in ... Bangalore

       In the Deccan Herald Pradeep Sebastian reports on the Latest book haven in town, as:

With more bookstores closing down than opening, it's a sweet surprise to find a new independent bookstore springing up in Bangalore.

       The store is Bookstop ! and:

Bookstop ! is stocked with not just new books but carefully handpicked titles that lean towards the literary more than the popular.

       Sounds good.

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       Translation from ... Taiwan

       In Taiwan Today Steven Crook reports that Translation projects unlock world of Taiwanese literature, noting that:

Readers in the English-speaking world have long enjoyed translations of the cream of French, German and Russian literature. Only in the past few decades, however, have English-language editions of the best fiction written in Taiwan become available.

       He points specifically to the Columbia University Press Modern Chinese Literature from Taiwan series -- from which many titles are under review at the complete review, including Chang Ta-chun's Wild Kids.

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       Khaled al Khamissi profile

       At Qantara Werner Bloch profiles Egyptian author Khaled al Khamissi, in Egypt's Culture on Four Wheels, with much discussion of the current situation.
       Khamissi's Taxi certainly had some appeal, and I'm curious what he'll do next.

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       Mischief + Mayhem profile

       In the Financial Times Trevor Butterworth profiles the new writers' collective Mischief + Mayhem, in 'Readers of the world unite'.
       The collective is currently "composed of five writers but with aspirations to embrace up to 30". Dale Peck is one of the members (and get's most of the air-time here):

It's time, said Peck, for a new kind of publishing.

       And:

Peck's argument is that editing has been corrupted by the new commercial mandates of publishing

       And Peck suggests:

"A lot of quality fiction isn't being written. There are talented writers not writing the books that they ought to be. I'm not going to name names -- I'm not going to accuse people of working in bad faith. But it's my sense that there are talented writers out there who are more concerned with reputation and how that translates into sales than they are concerned with what they are actually putting on the page."

       (This is something new ?)

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       Manuel Rivas Q & A

       In the Financial Times' 'Small Talk' column Anna Metcalfe has a Q & A with Galician author Manuel Rivas.
       Among the responses:

What is the strangest thing you've done when researching a book ?
While I was writing Books Burn Badly I would hang the pages of the manuscript, like leaves, on washing lines so as to find the meaning of history, the secret symmetry, the golden ratio.

       And:

Who would you choose to play you in a film about your life ?
I'm torn between Orson Welles and Anna Magnani

       (Get your copy of Books Burn Badly at Amazon.co.uk (no US edition to date, apparently), or see the Vintage publicity page.)

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       What they're reading in Germany ?

       The Guardian is apparently going to have: "literary editors reflect on the literary scene in their countries", and they get things started with Der Spiegel's Sebastian Hammelehle explaining What they're reading in Germany.
       His contribution doesn't seem to offer too good a picture/impression to me. Among other things, they have a list of 'Germany's bestsellers' at the end of the article, and he doesn't even bother mentioning the guy who is number one (but does discuss former chancellor Helmut Schmidt, as, apparently: "Four of his non-fiction works are among the 10 most successful books of the past 10 years" (though none appear on said bestseller list ...)).
       Of course, the current bestseller lists at Der Spiegel look pretty different too.

       I like the idea behind this series; I hope the future contributions are a bit more insightful.

(Posted by: M.A.Orthofer)    - permanent link -

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       Remote Control review

       The most recent addition to the complete review is my review of Isaka Kotaro's conspiracy thriller, Remote Control.
       (It's also noteworthy because it's presumably the last work of fiction being published by soon-to-be-much-missed Kodansha International.)

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       Prize: Man 'Asian' Literary Prize

       They've announced that Three Sisters, by Bi Feiyu, has won the 2010 Man 'Asian' Literary Prize. ['Asian' because the prize unfortunately is not truly Asian, with submissions from many Asian nations, from Iran to Turkey to all the Arabic-speaking nations to the Central Asian countries ineligible for the prize.]
       Bi picks up $30,000, while translators Howard Goldblatt and Sylvia Li-chun Lin will share $5,000.
       One interesting titbit:

The author becomes the third Chinese writer to win the Prize in its four year history. The three winning novels by Chinese authors have all been translated by Howard Goldblatt.

       (No doubt Goldblatt is deserving and whatnot, and China is certainly having an impressive domestic literary run, but doesn't this concentration of success suggest that maybe their idea of 'Asian' maybe isn't quite ... Asian (i.e. far-reaching) enough ?)

       Bi's The Moon Opera is under review at the complete review, but not Three Sisters; see, however, the publicity pages from Houghton Mifflin Harcourt and Telegram Books, or get your copy at Amazon.com or Amazon.co.uk.

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       Prize: Prize of the Leipzig Book Fair

       They've announced the winners of the Preis der Leipziger Buchmesse -- the 'Prize of the Leipzig Book Fair', the big spring German book prize, awarded in three categories, 'Belletristik' (mainly fiction, but, confusingly also covering some non -- such as the book mentioned below, which was a finalist in this category), non-fiction, and translation.
       The prizes went to Die Liebe zur Zeit des Mahlstädter Kindes, by Clemens J. Setz (Belletristik), Notizhefte by Henning Ritter, and Barbara Conrad's new translation of War and Peace.

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       Prize: David Cohen Prize for Literature

       They've announced that Julian Barnes has won the David Cohen Prize for Literature, "for his lifetime's achievement in literature".
       There are quite a few Barnes-titles under review at the complete review, including Nothing to be Frightened of.

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       Prize: The end of the Russian Booker ?

       Absinthe Minded points me to Nikolaus von Twickel's piece in The Moscow Times, No Money for Russian Booker Prize, as:

The country's most prestigious literary award has warned that it may vanish because of a lack of funding.

Preparations for this year's Russian Booker Prize have been postponed indefinitely because no new sponsor has been found, the award's organizing committee said on its web site.

       See also the official (Russian) announcement.

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       Creative writing in ... Hong Kong

       At CNNGo Christopher DeWolf reports that Creative writing degree in Hong Kong at the forefront of English literature.
       Okay .....

       But I am amused by the comparison to the Iowa Writers' Workshop and the assessment of the American 'market':

"What happens when you're in Iowa is that you're the only Chinese student there and everyone is like, 'What you wrote about dim sum is so interesting,'" says Xu. "And the program would be overly influenced by what the U.S. domestic market reads, which is not what the rest of the world consumes."

Asian writers operate with a different set of references and expectations to writers from Anglophone countries, says Xu, which raises the possibility that some of the literature that is so heavily emphasized elsewhere, such as American-style short stories, might not be as relevant to aspiring Asian writers as, say, traditional Chinese storytelling.

       Ouch !
       (To be fair: I can't imagine that anyone -- much less everyone -- at the IWW 'is like': "What you wrote about dim sum is so interesting". Ever. And given that American bestsellers enjoy enormous success abroad -- i.e. are exactly "what the rest of the world consumes" -- that statement surely also has to be ... refined a bit.)

       See also the official programme page for this MFA (which, admittedly -- despite an apparent antipathy to dim-sum-themed fiction -- looks pretty decent as far as these things go).

(Posted by: M.A.Orthofer)    - permanent link -

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       Der alte König in seinem Exil review

       The most recent addition to the complete review is my review of Arno Geiger's critically acclaimed and bestselling (in Germany) account, Der alte König in seinem Exil.

(Posted by: M.A.Orthofer)    - permanent link -

       Prize: Premio Iberoamericano Planeta-Casa de América de Narrativa

       Los días del arco iris, by Antonio Skármeta (of The Postman fame; get your copy at Amazon.com), was awarded the Premio Iberoamericano Planeta-Casa de América de Narrativa (yeah, they're not quite up-to-date at the official site yet, last I checked ...); see, for example, the Latin American Herald Tribune article, Chile's Skarmeta Wins Lucrative Literary Honor.

       The prize is noteworthy for several reasons:
       First, we're talking about big bucks here: it has: "una dotación de 200.000 dólares americanos" (yes, that's right, US $200,000) -- yet another Spanish-language literary prize that puts the Man Booker and all the prestigious American literary prizes (Pulitzer, National Book Award, NBCC Awards) to shame, prize-money-wise. (How do they come up with so many well-endowed literary prizes ?)
       Second, Los días del arco iris was selected from 639 submitted entries -- again putting the Man Booker (where the judges invariable whinge about the 100 or 120 books they're supposed to judge) and most other English-language prizes to shame.

(Posted by: M.A.Orthofer)    - permanent link -

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       Prize: (French/American) Annual Translation Prize finalists

       The French-American Foundation and The Florence Gould Foundation have announced the finalists for their 24th Annual Translation Prizes.
       Amazingly, four of the five fiction finalists are under review at the complete review (as is the fifth title, Madame Bovary -- albeit in a different translation):

• Mitzi Angel's translation of 03 by Jean-Christophe Valtat
• Alexander Hertich's translation of Dying by René Belletto
• Anna Moschovakis's translation of The Jokers by Albert Cossery
• Alison Anderson's translation of A Novel Bookstore by Laurence Cossé

       Interestingly, only one of the four eligible translations (Madame Bovary, as a re-translation, wasn't eligible) -- the Cossery -- was also longlisted for the Best Translated Book Award. (And there's no overlap whatsoever with the recently announced longlist for the Independent Foreign Fiction Prize, though presumably some of these titles were not eligible/entered for that prize.)

(Posted by: M.A.Orthofer)    - permanent link -

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       Prize: Miles Franklin longlist

       The longlist for the Australian Miles Franklin Literary Award has been announced; none of the titles are under review at the complete review.

(Posted by: M.A.Orthofer)    - permanent link -

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       Per Olov Enquist profile

       Igor Gedilaghine profiles Enquist: multiple lives of a Swedish literary giant for the AFP -- that giant being Per Olov Enquist, of course.

(Posted by: M.A.Orthofer)    - permanent link -

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       Montecore review

       The most recent addition to the complete review is my review of Jonas Hassen Khemiri's novel, Montecore, The Silence of the Tiger.

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       Orange Prize for Fiction longlist

       They've announced the longlist for the Orange Prize for Fiction -- not at the official site, last I checked, but they should have it up there during the course of the day; meanwhile, see for example Rob Sharp's run-down in The Independent (scroll down for the full longlist).
       This is, of course, the prize for which only female authors qualify. It's no surprise that none of the titles (which also have to be written in English to qualify) are under review at the complete review; a bit more shocking to me is that I only even have a single one of them (Leila Aboulela's Lyrics Alley) -- and even that wasn't obtained via the publisher.
       Lots of titles that have been getting a lot of press, from The Tiger's Wife (by Téa Obreht) to A Visit from the Goon Squad (Jennifer Egan), Great House (Nicole Krauss), and Swamplandia ! (Karen Russell), and books by Julie Orringer, Wendy Law-Yone, Joanna Kavenna, Tessa Hadley, and Aminatta Forna.
       And, yes, of course, Emma Donoghue's Room is in the running for this prize as well (as it has been in the running for what seems like virtually every English-language literary prize on both sides of the Atlantic for the past year).

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       Immigration literature

       "Immigration literature is the literature of the future" -- so says Silvia De Marchi, in Nancy Greenleese's report at Deutsche Welle, Non-native authors bring fresh perspective to language.
       The focus here is on Italy, and Campagnia delle Lettere's 'Letteratura della Migrazione':

The trend in Italy started in 1990, when a Senegalese immigrant and an Italian journalist penned a book together. Now, Italian publisher Campagnia della Lettere has devoted an entire department to the genre.

       But examples of (critically acclaimed and popular) immigration literature can be found all over the place (including in the previous as well as the next post here ...).

(Posted by: M.A.Orthofer)    - permanent link -

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       Boekenweek

       It's time for Boekenweek -- the ten-day Dutch book week.
       This year's 'Boekenweekgeschenk', the essentially free give-away title that will likely be read by hundreds of thousands, is Kader Abdolah's De kraai; the 'theme' of the week is 'Curriculum Vitae - Geschreven portretten' ('written portraits').

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       IPAF winners

       They've announced that:

The Arch and the Butterfly by Mohammed Achaari and The Doves' Necklace by Raja Alem are today, Monday 14 March, announced as joint winners of the International Prize for Arabic Fiction 2011.

       See also Rym Ghazal's report in The National, Authors share the Arabic Booker, and Arabic Literature (in English) Two Winners for This Year's International Prize for Arabic Fiction.
       (And how I wish everyone would stop referring to it as the 'Arabic Booker' and let this poor prize find/create its own identity .....)

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       Mahmoud Darwish Award to Goytisolo

       The great Juan Goytisolo received the Mahmoud Darwish Award in Ramallah this weekend; see, for example, the Daily Star report, Spanish writer wins award for contribution to Palestinian culture, or Eric González's Juan Goytisolo recibe el premio Mahmoud Darwish en Ramala in El País.
       El País also offer 'un extracto' of his acceptance-speech, Homenaje a Mahmud Darwish en Ramala.

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       Publishing in ... Canada

       In the Globe and Mail John Barber argues (controversially, I'm guessing) that Supporting CanLit means shelving our protectionist policy.
       He points out that:

Despite the fact that none qualify for federal subsidy, the multinationals not only dominate the English-language market in Canada today, especially for fiction, they alone have made Canadian literature consistently profitable -- at home and abroad.

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       Judge Richard Posner, Clueless fan

       Judge Richard Posner is, apparently, a fan of the Alicia Silverstone movie, Clueless -- but not of celebrity mock trials of fictional characters. That's what Jess Bravin reports at the WSJ blog, Washington Wire, in Judge Posner Dissents on Mock Trial, as:

He says mock trials of fictitious characters don't "contribute to anyone's enlightenment." For Judge Posner, the hobby symptomizes the broader ills of contemporary "celebrity culture."

       (Personally, I think some of those broader ills are rather ... broader (and iller, and far more troubling) than these kinds of mock trials .....)

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       Digital Cultures review

       The most recent addition to the complete review is my review of Milad Doueihi's Digital Cultures.
       Just out from Harvard University Press, this book -- though written in English -- actually first appeared in translation in French three years ago.

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       Norwegian Wood, the movie

       Tran Anh Hung's film version of Murakami Haruki's novel, Norwegian Wood, is just out in the UK (I haven't seen a US release date yet); see also the official movie sites, Japanese version (with the amusing www.norway-mori.com URL) and UK version.
       Lots of UK reviews have now appeared, including those in:

• Evening Standard
• Financial Times (scroll down)
• The Guardian
• Independent on Sunday
• Irish Times
• The List
• New Statesman
• The Observer
• The Telegraph
• Time Out (London)
• Times Higher Education

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       IPAF countdown

       The winner of the International Prize for Arabic Fiction is to be announced today -- apparently also here.
       In preparation: in The National Saeed Saeed offers 'Arabic Booker' 2011 shortlisted authors talk about their work, while Arabic Literature (in English) offers Excerpts and Micro-reviews of the 'Arabic Booker' Shortlisted Novels.

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       Bookselling in ... the UK

       In The Independent today Tim Walker wonders, Do bookshops have a future ? taking Waterstone's as an example.
       Among the observations:

Now Waterstone's booksellers all wear identical branded polo shirts and saggy fleeces, encouraging a customer's perception that they're unable to think for themselves. They look (with apologies to supermarket shelf-stackers) like supermarket shelf-stackers.

       But otherwise they seem to be on a better track.

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       Alasdair Gray's Lanark

       In last week's Scotland on Sunday Stuart Kelly wondered Is Alasdair Gray's Lanark now considered a classic ?
       There seems little doubt that it long has been (as Kelly also notes); it is, clearly, a truly landmark text -- and Kelly does a good job of explaining some of the reasons why.
       But, as he also notes:

Lanark is a novel of white and black hats, heroic artists and villainous capitalist time thieves. It is morally unambiguous. The palettes of Spark, Massie and Boyd are far more complex: "shades of grey" seems too colourless to describe them adequately.

Lanark remains an influential and entertaining novel, though its science-fiction elements have not perhaps aged well.

It is not Gray's best book -- both 1982 Janine and Poor Things are superior, an opinion Gray himself holds.

       See also the Canongate publicity page, or get your copy at Amazon.com (though it looks like it's out of print in the US) or Amazon.co.uk.

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       Teaching Interlok

       Abdullah Hussain's 1971 novel, Interlok, has caused quite a stir in Malaysia recently, ever since it was added to the school-reading curriculum.
       Priya Kulasagaran's The noose on novels in The Star offers a pretty good overview of the whole mess -- and addresses the question of what kind of material is indeed appropriate for school reading. (Interestingly -- and rather disappointingly --, in the case of Interlok: "The student edition of the book has already removed many elements found in the original novel, such as passages depicting rape and suicide".)

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       Independent bookselling in ... Australia

       In The Australian Andrew McMillen finds Independent bookshops: holding the line.

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       The Explosion of the Radiator Hose review

       The most recent addition to the complete review is my review of Jean Rolin's The Explosion of the Radiator Hose (and other mishaps, on a journey from Paris to Kinshasa).

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       Arabian Nights illustrations

       Robert Irwin has a new book out, Visions of the Jinn: Illustrators of the Arabian Nights (see the Oxford University Press publicity page, or get your copy at Amazon.com or Amazon.co.uk), and in The Guardian today he offers an introduction to it (or the subject matter, anyway), in The Arabian Nights: a thousand and one illustrations.
       (I'm still working on -- and focusing on ... -- the text.)

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       French intellectuals in the US

       In the Nouvel Observateur Aude Lancelin looks at the French intellectual situation in the US, dropping lots of names in considering Nos intellos en Amérique.
       (I think once you start referring to your 'intellectuals' as 'intellos' it's time for a basic reassessment .....)

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       Guo Moruo

       China Daily finds that Where Guo Moruo led, literature followed, and offers a brief overview of the life of the Chinese intellectual who lived 1892 to 1978 (郭沫若).
       Impressively:

Fluent in Japanese, German and English, Guo was also a prolific translator. His translations include the works of German thinkers Friedrich Schiller and Friedrich Wilhelm Nietzsche, Leo Tolstoy and Ivan Turgenev of Russia, Percy Shelley and H. G. Wells of Britain, and Upton Sinclair of the United States.

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       Independent Foreign Fiction Prize longlist

       They've announced the longlist for the Independent Foreign Fiction Prize 2011 -- fifteen titles, of which seven are under review at the complete review (many of the others, alas, are not yet available in the US):

• Fame by Daniel Kehlmann; translated by Carol Brown Janeway
• I Curse the River of Time by Per Petterson; translated by Charlotte Barslund
• The Museum of Innocence by Orhan Pamuk; translated by Maureen Freely
• Red April by Santiago Roncagliolo; translated by Edith Grossmann
• To the End of the Land by David Grossman; translated by Jessica Cohen
• Villain by Yoshida Shuichi; translated by Philip Gabriel
• Visitation by Jenny Erpenbeck; translated by Susan Bernofsky

       Of course, it's interesting to compare the longlist to that of the Best Translated Book Award -- though, given different US and UK publication dates (and complicated by the fact that the Independent prize unaccountably doesn't reveal what books were considered ...) the two prizes have only limited overlap (the Pamuk, for example, was on last year's BTB longlist ...); still, the Erpenbeck, Grossman, and Petterson did make both.
       Like the BTB, the IFFP is short on non-European languages -- nothing from the Arabic or Chinese, though at least one Japanese title (though ... the Yoshida ? seriously ?). Still, a pretty good-looking list -- and I look forward to several of these titles, once they become available in the US.
       See also judge Boyd Tonkin's overview, Independent Foreign Fiction Prize: Latin America is back with a boom.
       The IFFP shortlist will be announced 11 April; the BTB shortlist on 24 March.

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       National Book Critics Circle Awards winners

       As Barbara Hoffert reports at the NBCC weblog, Critical Mass, last night The National Book Critics Circle Announces Award Winners.
       Looks like a pretty solid selection (none, however, under review at the complete review ...).

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       Milan Kundera found Pléiade-worthy

       As Mohammed Aissaoui reports in Le Figaro, Milan Kundera entre dans La Pléiade -- noteworthy because: "Il en est le seul écrivain vivant", i.e. he is (currently) the only living author in the esteemed French equivalent of the Library of America (and he didn't even start out writing in French, though now it's his 'official' language).
       See the Pléiade information page -- or get your copy of the two-volume set at Amazon.fr.
        (And the Aissaoui piece is of interest also for the explanation at the end, 'Comment on entre dans la «Bibliothèque de la Pléiade» ?')

(Posted by: M.A.Orthofer)    - permanent link -

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