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The Anniversary general information | review summaries | our review | links | about the author
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Our Assessment:
B+ : powerful small family-study See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: The narrator of The Anniversary opens his account describing the last time he saw parents, some ten years earlier, when he was forty-one, after decades of regularly visiting them -- every two weeks or so -- since he first left home ("under the traditional pretext of college"). That day, a decade earlier, however, without apparent warning -- though mom seems to have sensed something -- he makes a decisive break. Indeed: Since then I've changed phone numbers, houses, continents, I've erected an impregnable wall and put an ocean between us. They've been the best ten years of my life.The Anniversary then describes the family and its dynamics, especially between father and mother, and what the narrator fled. There is the domineering father "who subsumed everything into the story of himself", occasionally even violent, and there is the mother, living completely under his thumb. While growing up, the children are at best supporting players for much of this: the son who tries to defuse any tension that arises; the daughter -- the narrator's older sister -- who separates herself from the family as soon as she can (and is disappointed in her brother for not standing up against their father with her). Much of the focus early on is on the mother, and how the father dominated, belittled, and controlled her; Bajani is very good in these examples and details. The father is a reader, for example -- but: 'This is a book for your mother' was my father's way of declaring that a novel wasn't any good. The phrase did contain a kind of affection, the perverse, frank, aggressive kind that follows, or underlines, an assertion of control. To admit such a book to our home library, which as an eager autodidact he had gradually built over the years, was a concession he made to her. But labelling a book as 'for your mother' meant, above all, that its proper place would be in the bin.Small escapes from the overbearing domestic scene -- the mother briefly holds a job; for a time she has a close friend -- only make the father's controlling hold all the more manifest. Only bits of insight into his character, beyond how he presents himself, are occasionally dripped in -- his own upbringing, his professional failure that also led to reïnvention (that included the physical move of the family, whereby: "Ours was an anomalous movement, from capital to periphery, centre to margin, not the other way around. From Rome to the pedestrian foothills of Piedmont, with its mix of the rural and the industrial"). There are bursts of violence, and one stands out: "For many years, I built a kind of pat narrative around that night: that of a family organism rooted in violence wrought by hands". The sudden break of the narrator with is parent then doesn't come out of nowhere but is still striking in its abruptness, after the slow build-up over so many years. Just how much it all has weighed on him is suggested by how, when he turns to help and starts seeing a therapist: "We had begun with four or five sessions a week, which I felt I needed". For all that, the narrator remains something of a cipher, and we only learn bits of how this past decade -- "the best ten years of my life", he had proclaimed early on -- has gone for him. They include marriage and divorce, and while he now lives with a woman with whom he has a child he barely describes her (or their relationship) beyond, for example, referring to her as: "The mother of my son". This account -- "looking back on all this now, through the thinking machine of the novel" -- is a compelling exercise, but even as it is so penetrating in parts, showing and digging into wounds that are not so much raw as long-festering, so much remains unspoken. The narrator takes a hard look at his parents' relationship and their characters', but avoids peering much elsewhere or considering or revealing much more that was involved -- including about himself (with the sister, in particular, little more than a shadowy presence). It's still a strong piece of work, a fascinating family-study that gets to the heart of the matter -- the father-figure, and his control over the mother, as well as how the son has (and continues to) try to deal with those family dynamics, both in the moment and now in retrospect -- exceptionally well. - M.A.Orthofer, 12 June 2026 - Return to top of the page - The Anniversary:
- Return to top of the page - Italian author Andrea Bajani was born in 1975. - Return to top of the page -
© 2026 the complete review
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