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Gentlemen general information | review summaries | our review | links | about the author
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Our Assessment:
B+ : appealing, roundabout slice of life in post-WWII Sweden See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Gentlemen is narrated by a would-be writer in his mid-twenties, Klas Östergren, "in the Year of the Child, the election year of 1979".
He's hardly established himself yet, and even takes a summer job as a groundskeeper at a golf course one summer, but it looks like some better opportunities are coming along.
He's commissioned to write re-write Strindberg's classic The Red Room in a modern-day setting -- "This could be your breakthrough, if you can pull it off", his publisher thinks -- and he's invited to move into the apartment of Henry Morgan.
Everything he wrote was presumably based on this lack of contact with life. He had been an outsider for as long as he could remember, and only when he was writing did he feel completely real, a participant instead of an observer.Klas, of course, also has the role of writer -- and Henry also wants to take advantage of that: "Be my Boswell !" was a standing exhortation from Henry MorganOf course, Klas already has a project underway -- the modern version of The Red Room, a ruthless look at Swedish society -- but it's no surprise how things wind up and which project he abandons and which he completes. Indeed, Gentlemen is a sort of modern The Red Room, and in a long (and continuing) line of Scandinavian novels of the down-and-out (or close to it) artistic types doing their own thing in the corrupt society of whatever the relevant age. (Östergren doesn't do quite as much with their outsider-status as he might, as in a party for Nobel Prize laureate Isaac Bashevis Singer he has Klas attend.) Much of the book recounts not Klas' own experiences, but rather the lives of Henry and Leo -- a longish look at life in Sweden after World War II, and particularly in the 1960s and 70s. It's nicely if somewhat meanderingly done, though a focus on small episodes and general overviews can get to be a bit much over the length of the novel. There is some clever invention and nice detail, from Henry's treasure-hunting ambitions in the cellar (which Klas soon joins in) to Leo's career as poet. Eventually, there's also a rather darker side to it all, as Leo in particular gets involved in (and is burdened by the knowledge of) considerably uglier things. It doesn't quite add up to a political thriller, but certainly points some fingers at a corrupt society. Klas' early warnings -- "I'm already aging like a Dorian Gray", and "We must allow ourselves to despair, at least once in a while", and the like -- are never entirely forgotten, and there's much that is ominous throughout the book (one reason Klas moves in with Henry is because his own apartment was burgled, almost all his possessions (i.e. also his identity) taken), but much of the book is really quite funny. It's comedy with a Scandinavian tint to it (i.e. in shades of grey), but entertaining nevertheless. Gentlemen is a book of a different time (and place), the atmosphere of Sweden at the end of the 1970s suffusing the text (there's even a biting bleakness in Klas' repeated reminders that it's the Year of the Child ...), but it's strong enough to still be well worth reading - Return to top of the page - Gentlemen:
- Return to top of the page - Swedish author Klas Östergren was born in 1955. - Return to top of the page -
© 2007 the complete review
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